It is no longer customisable, and all the ‘Clear Layer’ buttons are now on the right side near the preview window. The video bin still sits at the bottom centre of the screen, and the audio bin sits on the bottom right. The user-interface now flows left-to-right. ProPresenter has looked very similar for many versions now, and while I’m not an advocate for wholesale changes for the sake of it, I think this one will turn out to be a good long-term change. Let’s start with the most obvious change – the user interface.
#Provideoplayer 2 review full
If you want the full overview of Pro7, you may want to re-watch the keynote. I’ve put together this article as an overview of new features I’m excited about. I’ve been fortunate enough to be able to beta test ProPresenter 7 over the last month or so.
#Provideoplayer 2 review license
#Provideoplayer 2 review upgrade
While users of the most basic features may be fine staying on ProPresenter 6 for some time to come, ProPresenter 7 is a must-have upgrade for any power users – and will bring about great long-term enhancements for any user.
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ProPresenter 7 is a major upgrade, and appears to bridge much of the gap between ProVideoPlayer, and ProPresenter. It is the long-awaited upgrade to ProPresenter 6, first released in 2015. Marshall Video products provide accurate engineering of cameras and Panasonic CCU controls are used for each camera.ProPresenter 7 has been announced this morning.
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AJA devices are also used at each viewing screen. These cameras and computer graphics are fed into a Ross Carbonite 2 M/E switcher and then broadcast through the facility through the use of AJA Kumo video routing and audio embedding. We integrated Panasonic PTZ cameras with controllers. Studio upgrades were needed to support the broadcast. This was driven by ProVideoPlayer from Renewed vision. For this, we used Absen LED with 2.54pp in a 6’ tall by 20’ wide format. Later, we were approached about adding a video wall backdrop to the stage. These are maintenance-free and have a long-lasting performance at a great price. For this swap, we chose Panasonic 15K lumen laser projectors fired on Draper permanent mount screens that were set out from the wall by 8” to allow for up and down lighting to be used in close proximity to the screens. Subs were also proud-based u nder the stage and Meyer Sound MM4 s were used as front fills and choirs monitors with great success.Īnother undertaking was to replace the projectors. DSpP processing and control are driven by QSC Qsys system with several I/O 8 flex devices and expansion units connected and programmed.Ī new sound system was needed due to non-other than a lighting strike! After several days of consultation with several speaker manufacturers and the music and technical staff, the decision was made to go with Meyer Sound speakers for the mains, monitors, choir, and fills. These consoles employ the use of several DM 64 and 32 input devices that are located behind the stage area in a dedicated room so as to be out of sight. We selected the Allen & Heath DLive series S7000 for the front-of-house and later added the C2500 for Monitor Mix.
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With the expansion of the main stage and the growth of both the choir and orchestra, they were in desperate need of a new audio control system. CO-DA has enjoyed a long history with FBCIT – Let’s recap some of our projects together.įirst, we upgraded the Front of House Audio Console.